10 Tips for a Successful Installation and Dismantle

 The trade show floor can be like operating in a foreign country. However, if you follow a few basic tips, you can successfully and economically navigate the Installation and Dismantle waters of your next show.

 1. Choose a Quality Labor Partner                                                   

•Consider national coverage so you have consistency

•What is their reputation for integrity and performance –ask around

•Price – While cost per hour is important, keep in mind that comparing the rate of an independent contractor to a general contractor (GC) is not comparing apples to apples. Independent contractor labor is typically far more efficient, thereby resulting in few hours billed

2. Complete the Exhibitor Appointed Contractor Letter (EAC Letter)

•Check your exhibitor services manual for the due date. This is typically 30 days prior to the show – but can be as much as 90 days

•Complete the form, send it to the show contractor and send a copy to your labor contractor

•If it is past the due date, call your labor contractor. They may be able to work it out with the show

3. Choose the Right Shipper

•Choose an experienced trade show shipping partner

•Price – Do not compare the price of shipping with a van line (point to point transportation) to that of a common show carrier (consolidates loads, breaks down skids, rough ride). They are not equal.

•Label each item on a skid separately. Skids sometimes get broken down

4. Pre-Plan

•Complete all service orders well in advance (electrical, carpet, hanging signs, material handling, etc.) to get best rates

•Electrical – Be sure to include a dimensioned layout of where the electrical should go, along with an orientation for your booth (include surrounding booth numbers)

•Send copies of all service orders to your labor partner

5. Have Set Up Instructions and Booth Renderings 

•Be sure to have detailed and accurate set up instructions

•Send a copy of the instructions to your labor partner in advance

•Bring a copy of the instructions with you

•Have back up copies of your booth drawings at your office

6. Schedule Labor – Factors to consider when choosing start times

•Scheduled the move-in time for your booth # – Find this on the targeted move in plan or in your exhibitor services manual

•Some cities and venues take longer to get the freight from the dock to the booth than others – ask your labor partner

•Direct shipment or advanced shipment – You can generally begin set up at or close to your targeted move in time only if you send your booth to the Advanced Warehouse.

•Leave time for the electrical and carpet to be laid if you rent from the general contractor. Idle crew hours are the responsibility of the exhibitor if mis-scheduled. Independent contractors are happy to help you eliminate idle time by consulting with you in advance.

7. Union Jurisdictions — Every City is Different

•Read the rules in your Exhibitor Services Manual

•In some cities you can set your own booth up – in others you can do almost nothing

8. Security Concerns

•Theft is common in convention centers

•If it is valuable – keep it locked up. Many people have access to the show floor. Your labor partner can not be responsible for your valuables

9. Have an Inventory List

•Have a complete list of crates and inventory for inbound and outbound

•If the outbound shipment is split, have a detailed inventory of which items ship to each destination

•Provide this list to your labor partner.

10. Supervision

•A supervisor who knows the details of your exhibit and also how the unions in that city operate will save you time, money, and frustration

•The supervisor must remain at the booth throughout the entire installation and dismantle

What You Should Know about Trade Show Booth Selection

•Trade show exhibit booth space is assigned based on booth size and show seniority

•Location is only one factor in selecting an ideal exhibit booth space

•Keep some distance between you and your competitors

•Restrictions on height can vary by show and by country

In general, trade show exhibit booth spaces are assigned based on an exhibitor’s past participation in the show (seniority). Exhibitors who attended in the past are contacted first and allowed to select their space. New exhibitors are contacted later. 

You can usually draw a triangle from the entrance of the show hall and determine where the highest demand spaces will be. There are other show hall spaces with good visibility and high traffic potential that are less obvious than the ones in this triangle. For new exhibitors with a sharp eye, prime spaces may be available later in the selection process. It is not uncommon for exhibitors to cancel their reservation on a booth space, sometimes months and even weeks before the show. The show organizers will be happy to move you into this more favorable location if they know you are willing to move.

It’s Not Just Location

Location is only one factor to a successful show. Depending on the show, your location may not offer much advantage. Pre-show promotion, a clear marketing message, and good trade show booth staff are generally more important than good booth placement. However, it can only help to have a space with the highest traffic pattern for your booth size.

What Booth Size to Select

Consider factors such as how much space your competition has committed to, projected attendance, how many employees will staff the booth, and how much space is required for products, demos, meetings, etc. You will also want to consider your plan for growth in the industry. Downsizing your display booth space from one year to the next is not recommended. For example changing from a 20′ x 30′ island booth to a 20′ x 20′ island is rarely an issue. But, going from a 20′ x 20′ island to an inline 10′ x 20′ has far too many negative connotations about your company’s financial health.

Selection Tips

Once you know the booth size you need, you’ll want to consider these tips in making your selection:

1.Large expensive display booths are generally located near the show hall entrance. They typically fan out and give way to smaller booth spaces toward the back and perimeter.

2.You many want to keep some distance between you and your closest competitors.

3.Consider the architecture of the facility. Be aware of columns and variations in ceiling height.

4.Look for opportunities to stand out. Often, there are great opportunities away from the entrance or in another hall that can give you an advantage. Consider exhibiting near the restaurant entrance or in a space flanked by primary traffic aisles.

5.There are restrictions on height. Some shows strictly enforce these regulations. Don’t assume the regulations in the United States are the same in Europe, Asia, and Latin America. They’re not.

6.Don’t discount perimeter booth spaces. Perimeter spaces often allow full height exhibits (up to 16 ft.). This advantage, along with placement at the start or end of high traffic aisles, can attract lots of attendees.

7.Consider splitting an island booth space with another company. Many shows allow two exhibitors to share a booth space and divide it to suit. An island can be converted into two peninsulas for example.

Shipping Tips

  • Know the description of your shipment. Record the size, color and shape of each piece along with a number on the shipping label. This may sound like a lot of work, but when your carrier tells you that only 8 of the 10 pieces are in Toronto, you need to know which 8 they have and, more importantly, which 2 are missing. The description of the pieces (a blue Rubbermaid case for example) will help the carrier locate the missing piece when they do their warehouse check. In the meantime, you know what is missing and can begin planning for your other option.

Tip: Record the size, color and shape of each piece and match your description with the number on your shipping label

  • Track your shipment every day. Tracking your shipment is the job of a good freight forwarder. However, if you want be in control, track your shipment yourself – even if it means calling the freight forwarder every day to get an update on the progress. Sometimes your shipments can be tracked on-line. If you are tracking your freight and you see it sitting in a city for more than a day, there could be a problem. This is called a “stalled shipment” and often indicates a service issue.
     
  • Get a Proof of Delivery (P.O.D.). The most important step in the shipping process is the final proof of delivery. This is when the bill of lading gets a signature and the carrier is no longer responsible. When the proof of delivery is you, you are able to verify that everything is in good order. However, when you ask the hotel to do it for you, you are trusting that they will take the time to ensure that all the pieces are there and that there is no damage. It is essential to get the name of the person at the hotel who signed for your shipment.

Tip: When you’re getting confirmation of the piece count, ask the consignee to actually count the pieces that are in their storage or warehouse, rather than read it off of a bill of lading. It is helpful when you don’t tell the person how many pieces there are supposed to be. This way there is a higher likelihood that they will actually count the pieces.

  • If it is really important – carry a copy with you. There are some documents that are going to be critical to your event or presentation – it could be business cards, presentation folders, registration forms, evaluation forms, awards or certificates. Take one copy of each in your briefcase or carry-on and save a back-up on your computer. This way if everything else falls to bits, you can take that one brochure or registration form to a local printing or copy center.
     
  • Prepare for return shipping in advance. Consider your return shipping before you leave and have the bill of lading pre-filled out (except for piece count). Take your customs documents and complete your return shipping labels. If a Commercial Invoice is required, use the original and cross out what is not being returned. Alternatively, save the commercial invoice to disk or on your lap top for easy updating for your return shipment. Ensure your carrier will not have any problems with the pick up of your shipment at the conclusion of your event.

OnSite Trade Show Services

On March 16, 2010, in Trade Show Tips, by admin

What You Should Know about Onsite Trade Show Service

1.  Onsite Labor

Show management contracts with a union or non-union labor company to provide the show site installation and dismantle services (I&D). The designated labor company may also provide the decoration (pipe and drape, aisle carpet and registration counters). They are also responsible for ensuring the installation is completed on time and the facility is cleared after the event.

Using onsite labor is convenient but not mandatory. Exhibitors can contract with any labor company as long as the labor company complies with the local rules and regulations as well as the show policies and procedures. The onsite labor contractor has a service desk onsite, and their labor forms are conveniently included with the show forms. If you need more labor on the show floor, you can easily request it. Most exhibitors use the show labor since it is convenient.. Those that don’t use onsite labor generally have a working relationship with another labor company.

 At a union regulated show site, the unions define what you can do during set-up and dismantle. Generally there is a ratio of a few laborers to one company representative. You are permitted to handle all your products. The labor crew is responsible for handling display components, power tools, and ladders. However, most crews are flexible if you demonstrate good faith.

 Planning is very, very important. Remember to schedule time for flooring and electrical before you schedule a set-up crew to your booth. Likewise, plan for a delay in getting your crates delivered to your booth space at the conclusion of the show. There are lots of crates to be delivered, and it always takes time coordinate the deliveries.

2.  Onsite Electrical / Internet

The show contractor also provides electrical and Internet services. Only licensed electricians can set-up and dismantle electrical wiring and connections in your exhibit. It the most literal sense, this includes screwing in a light bulb, but most exhibitors take this to mean the wiring and circuitry. Electricians review the wire grounding and the breaker loads, and look for exposed or unsafe hacker wiring and connections. Electricity is the primary threat on the show floor. High power runs everywhere. Fires are a real danger when you consider all the wood, carpet, and plastic concentrated on an exhibit hall.

3.  Electrical Requirements

Your show binder includes a form for ordering electrical services. You order electrical quantity by watts and amps. You specify outlet location(s) with a floor plan schematic of your booth. Most people are unfamiliar with how to add up all their electrical needs. Your booth might include a variety of lighting fixtures, a lead generating machine, and a few computer workstations.

Wiring between outlets to fixtures and electronics poses the most obstacles. Exhibits in the US require 3-pronged grounded power cords, which translates into the larger wires. You have to determine how to hide these bigger wires. Buildings hide wiring under the floor, in the roof, and in the walls. Exhibits don’t always have that option. They hide wires under sub-flooring or carpet padding, or drop power from the ceiling overhead.

 If you have a lot of electrical requirements in your booth, then consider adding a list of the items to the electrical floor plan you send in with your order. Better yet, indicate where on the floor plan the electrical items will be needed. Electricians are very good at reading and extrapolating electrical information. They frequently catch errors and make adjustments on the fly, thereby saving you time and hassle during the exhibit set-up.

 If you have questions, call show management. These are routine questions for show management.

4.  Wiring Your Booth Space and Exhibit

You have two options. Power can be run beneath your flooring or dropped from the ceiling. If you choose the floor, you will want your flooring to hide the wiring. Carpet padding does a good job of this, and plush carpet on top of 1/2 carpet padding conceals wires even better. Other flooring such as wood and flooring tiles require a channel routed in the underside of the material for the wiring. Whenever possible, request that the electrician use flat cords rather than round cords.

Companies use a ceiling drop when it makes sense with the booth configuration and the power loads. A ceiling drop is more expensive than running wires across the floor. If you are considering a ceiling drop, call show management to discuss the ceiling configuration over your booth space. Also discuss the option of floor outlets. Show management can help you determine which is best for you.

When you select an exhibit to purchase, make sure you understand, and are comfortable with, how the booth will be wired at the show. Just as important, make sure you communicate where you expect electrical devices in the exhibit, including all lighting fixtures. Be proactive about wire management and discuss with your exhibit consultant during the design phase.

5.  Adding Internet Access

Internet access has become commonplace in exhibit halls for every industry. If you want online access in your booth, you will need to order it just as you would electrical. You don’t need to calculate power, but you may need to include a floor plan indicating where you want the connector(s) placed. Most show halls, including hotels, have installed high-speed wireless access to the facility making Internet access even easier.

6.  Onsite Audio/Visual (A/V) Rental

You can rent computers, LCD screens, projectors, and much more from the show A/V contractor. It can be expensive but not nearly as expensive as purchasing the equipment. Also, the risk of freight damage is eliminated.

Your show binder will have A/V forms from the show A/V contractor. There is typically a discount if the equipment is requested in advance.

7.  Onsite Housekeeping Services

To keep your exhibit looking great throughout the show, there are two options. You can arrange to have your exhibit cleaned during the show with an onsite service, or you can bring a vacuum and cleaning supplies and perform the task yourself. Onsite housekeeping companies contract with the show decorator to provide the service to exhibitors. Your show binder should have a form for ordering this service. Cleaning typically includes vacuuming the carpet and emptying the trash. Cleaning fingerprints from windows and laminate surfaces remains the exhibitor’s responsibility.

Consider having plastic placed over the carpet during set-up. It isn’t cheap, but it is effective against spills, trash, and forklift tire tracks. You will remove the plastic immediately before the show opens.

8.  Cleaning Tips

Vacuuming your booth daily is a good idea if you have any kind of a plush carpet, especially if it is very light or very dark in color. If your carpet is new, then plan on heavy fuzzing for the first few uses. Whether you use a cleaning service or do your own booth cleaning, it’s a good idea to have a cleaning kit packed in you booth that travels from show to show.

 Here is a list of items to include in a cleaning kit.

 Cleaning Kit Contents:

•Glass cleaner

•Laminate polish

•Paper towels

•Scissors

•Knife, razor, or box cutter

•Velcro

•Multipurpose screw driver with flat and Phillips heads

•Finger polish remover (acts like lacquer thinner for removing adhesive gum)

•Clear packing tape

•Carpet tape (in case you need to tack a corner down)

•Duct tape

9.  Onsite Exhibit Security Services

 Exhibit halls can be a magnet for pilferage and espionage. If you want to guard against either of these, the show contractor can assist you in securing your exhibit area. The onsite security provider can post a security officer in your booth for the times you specify. You order security services with a form included in your show binder.

Pilferage can occur from labor, attendees, or employees. Because shows are known for giving away free stuff (incentives), some folks simply take this invitation a half step further. It’s a nuisance when pilferage involves promotional incentives, but it can be catastrophic if it is a product or prototype that will be missed by attendees if it is gone.

Store your incentives in a lockable storage cabinet. If you don’t have one, the next best place is behind the booth or anywhere out of site.

Wait to set out your incentives until just before the show opens. Many staffers from other exhibits prowl the aisles before the show opens collecting incentives. Pack incentives or any valuable product or electronic equipment in unmarked inconspicuous boxes. Consider resealing them after each opening especially if they are not under lock and key.

 Espionage can be the double edge sword of business-to-business exhibit marketing. While everyone is working to impress attendees with breakthroughs and innovations, they run the risk of providing proprietary technology to direct competitors. Make no mistake about a competitor’s willingness to take a quantum leap at the expense of a rival. There are a number of tips for protecting proprietary information. Consider having a security guard posted in the booth every day before and after show hours. The presence of these security officers will stop wandering competitors from trespassing.

10.  Onsite Freight Services

Onsite freight shipping refers to the shipping company subcontracted by show management to provide inbound and outbound freight shipping service. Like all show services, onsite freight shipping has an advantage of convenience. The onsite freight company maintains a service desk at the show. They will be most familiar with the receiving and sending aspects of the show and facility. If you use a different shipping company and your company does not show up to pick up your freight after the show, your freight will be “force shipped” with the onsite shipping company at your expense.

Most major carriers are familiar with shipping to trade shows and the general marshalling process that occurs as trucks line up to unload their exhibit freight on the docks of the show facility. Whatever means you use, you will want to provide clear instructions to ensure that your freight is received at the show facility and delivered to your booth space.

 Freight is priced by dimensional and actual weight depending on the service. For exhibits shipped ground freight, the crate contents rarely exceed the dimensional weight formula. However for exhibits shipped air freight, there are limits in size and weight. Actual weight can easily exceed dimensional weight just as shipping a large box with light contents can incur an additional oversized charge. Freight companies are set-up to provide instant quotes based on the shipment’s size and weight, your zip code, and the final destination zip code. These companies extend significant discounts on standard rates according to a company’s annual shipping volume.

11. Freight Insurance

Regardless of how you ship your exhibit, you will want to insure it for its full retail value. Insurance usually costs around .10 cents per 100 lb. of freight. Without insurance, if your booth is lost or damaged, the standard protection from the carrier is approximately .50 per pound. So, consider if your $100K exhibit is lost in transit. If it weighed 3000 lb. and shipped in three crates, you would be paid only $1500. Alternatively if you paid the $30 insurance, you would be reimbursed the full $100K with proof of value such as the invoice. Don’t take the risk. There is a good possibility you will experience some kind of freight loss or damage over a number of trade shows.

According to trade show research, live presentations are the third most important reason people remember a display stand, after displaysize and product interest. Any form of live presentation, for example,a staged product demonstration, theatrical skit, magician, gameshow, choreography, video, audio, robots or singers, can attract a throng of visitors to your stand. The key to success is using this powerful promotional tool as an integral part of your marketing plan to appropriately communicate your company or product message.

1. Consider your trade show objectives

Use your presentation to help achieve your objectives and to enhance your message or show theme. Find the most attractive benefit your product or service has to offer from the buyer’s perspective and flaunt it.

2. Project the right image

Decide what image you want to project and the best way to convey your company and product message. Consider conveying your message through bold graphics.

3. Think about your audience

Always think about the audience you want to attract and what you want them to get from experiencing the presentation. Be careful not to get carried away with a great idea and lose sight of the objective.

 4. Have a realistic budget

Your budget is going to be a primary determining factor as to the type of presentation your company could consider. Be realistic. Know when it’s appropriate to be modest and when it’s okay to be a little more extravagant.

5. Be professional

Whatever form of presentation you choose, always be professional. Your corporate image is being scrutinized by everyone. Seriously consider hiring a professional company to help with the conceptual ideas and implementation.

6. Grab attention and encourage action

Having a powerful and compelling pre and at show promotional strategy will help attract your target audience. Consider the best ways to promote your presentation—a special mailing, advertising or the Internet. Give visitors an incentive to attend, such as a gift, discount or a special demonstration.

7. Focus your staff

Communicate and involve your staff. Let them know exactly what you expect of them before, during and after each presentation. Make sure they can do what you expect of them. Decide whether you want to use your own staff or hireoutside talent. Consider motivating your team with a contest for rewarding the most prospects.

8. Monitor and capture leads

Design a simple and easy-to-use lead form to capture pertinent information from your prospects. Determine who should complete the card—visitors or staff—and train your booth staff accordingly.

9. Deal with logistical issues

Major issues to consider are how much space you want the presentation to fill, if it should be in an open or closed area, how visitors will come into and leave the area; will they sit or stand during the presentation, how manypresentations should be conducted every day, and how long each presentation will be? Ensure that the presentation does not interfere with fellow exhibitors and respects the adjoining space.

10. Evaluate success

Plan prior to the show how you will measure the success of the presentation: will it be based onthe number of people attending, or the number of leads collected.

 

An expensive server rack commits suicide off a 4-foot-tall shipping dock. A forklift skewers a carton of exhibit graphics. Demo equipment gets stolen in transit. What do all three of these situations have in common? They have all happened to me. Thankfully, in every case I had planned ahead and placed insurance on my clients’ exhibit properties to cover their losses.

As exhibit managers, insuring against losses that we might incur isn’t usually on the top of our to-do lists. Logistics, deadlines, and troubleshooting often take precedence over identifying, evaluating, and managing the financial risks of exhibiting. But trade show-related disasters are bound to happen. Author and risk-management expert Charles Robert Tremper says, “The first step in the risk-management process is to acknowledge the reality of risk. Denial is a common tactic that substitutes deliberate ignorance for thoughtful planning.”

There are basically four types of coverage exhibitors can secure to mitigate common exhibiting risks:

1. Commercial general liability covers bodily injury or property damage to a third party.

2. Exhibit-property coverage insures your exhibit and other company property that is used at a show.

3. Limited-liability valuation is coverage provided by your transportation carrier for property damage during shipment.

4. Event-cancellation insurance covers financial losses in the event that the show doesn’t go on.

Carefully selecting the proper insurance options will keep you and your company sufficiently covered — and will prevent exhibit-related incidents from becoming catastrophic calamities.

Commercial General Liability

Think back to that space-rental agreement you signed a year before the show. In the three minutes you had to select space and turn in your contract before scurrying back to your exhibit, did you laboriously pore over the terms and conditions on the back of the agreement? Did you read the 17 pages of rules and regulations in the exhibitor services manual? To refresh your memory, you probably signed something that says you’ll maintain a certain level of liability insurance coverage, usually $1 million per occurrence and $2 million aggregate for multiple occurrences. This is called commercial general liability (CGL) during the “lease period” of the convention venue.

This insurance provides coverage against damage or injury to persons and property during setup, show days, and dismantle. The contract usually requires that this CGL policy will name any or all of the following as additionally insured parties during the lease period of the venue: the show organizer, show manager, general services contractor, official subcontractors, and venue. You may also be required to send the show manager a copy of this policy/rider or bring it to the show to be viewed upon request.

Where do you purchase this type of insurance? If you work for a corporation, it’s almost a given that you already have a CGL insurance policy in place on which you can just piggyback the show’s specific requirements. Corporate insurance is usually administered by your internal risk-management or finance department. If they don’t handle it, they can refer you to your company’s insurance agent. The simplest way to provide the insurance carrier with the information it will need is to send it a copy of the space-rental contract and/or the pages from the exhibitor services manual that lists the specific insurance requirements, dates of coverage, and names of those who need to be listed on the policy as additional insured parties.

If your company doesn’t carry this type of insurance coverage, you can purchase a policy through companies that specialize in exhibitor insurance, such as K&K Insurance Group Inc. (www.kandkinsurance.com), John Buttine Inc. (www.buttine.com), CSI Entertainment Insurance (www.csicoverage.com), or Canfinse Group Inc. (www.exhibitorinsurance.com). Depending on the length (one show versus an annual policy) and amount of coverage required, the cost of these policies can range from $125 to $1,000. Some shows offer CGL coverage through a preferred carrier in their exhibitor services manuals; many shows mandate purchasing coverage through their preferred carrier for $125 to $150 per show.

The penalty for not having the insurance the show manager asks for varies from one show to another. But if there is an incident and you can’t provide proof of the requested insurance, your exhibit can be removed from the trade show floor.

 Exhibit-Property Coverage

What would happen if your exhibit house burned to the ground with your exhibit in it? What if the truck transporting your exhibit was totaled in an accident, and your exhibit was demolished? What would you do if your new plasma monitors were all “misplaced” somewhere between arrival at the advance warehouse and delivery to the convention venue?

Talk with your boss and corporate risk manager to figure out what coverage you currently have on your exhibit properties. Ask the following questions:

1. Is your exhibit currently covered by a corporate property policy, or can it be covered with the payment of an additional premium?

2. What are your coverage limits and deductibles (e.g., $150,000 per show or occurrence with a $10,000 deductible)?

3. Does the policy cover your exhibit properties for replacement value or depreciated value? If it’s for depreciated value, what is the current value of your exhibit properties and what would it cost you to replace them?

4. Is the coverage amount sufficient to make you “whole” after the claim? Would you have enough claim monies to replace or repair your exhibit properties in the event of loss or damage?

5. Under what circumstances are your exhibit properties covered by this insurance policy (per show, per half year, or per year)? Are they covered while off company premises (e.g., at your exhibit house, in a carrier’s truck, or at the advance warehouse)?

6. Do you need to notify anyone in your risk-management department or at the insurance company to let them know when your exhibit is on the road?

7. What do you have to do to notify the insurer of a loss and make a claim (e.g., make a report with convention-center security, file a police report, take photos, call a toll-free number or agent to report the loss, notify corporate risk management, etc.)?

8. What documentation would it take to file a claim (such as serial numbers of lost equipment or invoices for the exhibit properties)?

9. How long after an incident do you have to file the claim paperwork? Some policies only give you a limited time to file the claim — such as 72 hours — and that timeframe could very well be while you’re still at the show. Other policies I’ve seen give you up to six months after an incident.

Some corporations choose not to cover exhibit property because they don’t want a series of small claims filed that could cause a jump in their overall corporate insurance premium rates. If you learn that your company falls into this category and considers itself “self-insured,” which means you have no external coverage for claims, or if it carries a high-deductible policy, figure out how you would cover a loss. Is your current budget healthy enough to absorb the cost, or do you need to purchase a supplemental policy from a company that specializes in exhibitor insurance?

 Limited-Liability Valuation

Limited-liability valuation, also called released value or trip-transit valuation, is provided to you, the shipper, automatically as part of your carrier’s liability under the shipping tariff at no additional cost. It covers the freight in your shipment during the time it is loaded on your carrier’s truck, from one point of origin to one point of destination. Carriers’ limits on valuation vary by state law, and are in the range of $.30 to $.60 per pound, per article of freight, or sometimes on a per-item basis (e.g., $100 per item), whichever is greater.

This coverage is “valuation,” not insurance. These two terms are often confused and considered synonymous. But carriers are not insurance companies and can’t legally call this coverage “insurance.”

Early in my career, I learned the hard way about making a valuation claim. A mounted digital graphic for the front of my reception counter came up missing from a pallet during shipment to a show. When I inquired about coverage for the loss, the carrier’s agent asked me about the size and weight of the graphic. I stated that it was 18-by-18 inches and was mounted on foam board, so it probably weighed about 3 pounds. The agent laughed and told me the company probably wouldn’t process a claim for $1.80 (3 pounds at $.60 per pound).

 If this amount of limited-liability coverage isn’t adequate, carriers may offer to sell you additional valuation, also known as full valuation protection, at a price of around $7 per $1,000 of value you wish to cover in thousand-dollar increments. This cost will be added as a line item to your invoice for each shipment.

 Don’t forget that this valuation is in force only when the shipment is on the truck. When the shipment hits the docks — at the advance warehouse, convention venue, or exhibit house — there is no further coverage. It only covers property being shipped while it is in the carrier’s physical possession.

 The most economical way to cover your shipment’s value may be to add a “door-to-door” all-risks insurance rider (aka “portal-to-portal rider”) to your corporate insurance policy. This coverage can include physical damage or loss during transit or on the show floor, water damage, breakage, and theft or pilferage. Work with your corporate risk-management department to determine the replacement value of your entire shipment and how much risk you want to assume with your deductible. All-risk policies are also available for purchase through some freight carriers and online insurance brokers.

 Event-Cancellation Insurance

 Some people call event-cancellation insurance “sleep-well” insurance because they don’t have to worry about the losses they would incur if the event were called off, rescheduled, or even poorly attended, depending on the individual policy. Event-cancellation policies can be purchased with varying policy limits (most start at $10,000 and go up to as high as $50,000 without special underwriting) to cover anything from a single exhibit at a single show to multiple exhibits for an entire year. Depending on the risks covered, premiums can range from a few hundred dollars to a thousand dollars.

 When purchasing cancellation insurance, read the policy carefully so you know what is covered — and what is not. Recently, a client asked me what would happen to the hundreds of thousands of dollars her company had invested in its biggest show of the year, scheduled at what some believe will be the height of this year’s flu season, if the event is cancelled due to an epidemic or pandemic of the H1N1 virus. All of the packaged policies for exhibitors that I found had an exclusion for communicable diseases. One broker I spoke with said his company would cover event cancellations due to H1N1, but only as an expensive rider to a standard event-cancellation policy.

 Typical incidents covered by event-cancellation insurance may include terrorist activities; venue damage; labor disputes; natural disasters such as severe storms, tornados, flooding, and earthquakes; nonappearance of principal speakers; late or non-arrival of items essential to the event, such as exhibit properties; and even cancellation due to national mourning for the death of a U.S. president. Some policies also include coverage for future marketing expenses you may incur if the event is rescheduled.

 Trade show disasters can and probably will eventually happen to you. Be ready with the right insurance. You’ll not only ensure your program’s ability to bounce back quickly from any unpleasant scenario; you’ll sleep better knowing that no matter what happens, your program is covered.

-Written by Candy Adams,CTSM, CME,CEM, CMP, CMM, who is an independent exhibit-management consultant, trainer, speaker, writer, and an Exhibitor conference faculty member.  CandyAdams@BoothMom.com